SILENCE! THE MUSICAL

dancing lambsWhen you think of a musical, you can’t help but imagine a serial killing cannibal singing about female genitalia. Am I wrong? Well, Silence! The Musical will have you thinking differently. Cloud 9 Theatricals, in association with Lang Entertainment Group and Ray of Light Theatre, has brought this inventive piece to the San Francisco stage. It’s been enjoyed so much that its original closing date of Saturday, February 25 was extended until Saturday, March 18.  

If you haven’t seen the movie it’s satirizing, the story revolves around rookie FBI agent Clarice Starling (Jodi Foster). She’s eager to shed her past and advance in her career. She gets assigned to the Behavioral Science Unit to work under Jack Crawford. She’s still wet behind the ears and gets assigned to question cannibal serial killer, Dr. Hannibal Lecter (Anthony Hopkins). Dr. Lecter is a psychiatrist who can manipulate victims to the point of suicide. There’s another serial killer on the loose by the name of Buffalo Bill, and it’s believed that Lecter has the clues to catch him, even though he’s been behind bars for several years. The five victims Buffalo Bill has killed are overweight, young, and found drowned, missing large strips of skin. Sending Starling in is a desperate attempt to save his latest victim, Catherine Martin. Perfect premise for a comical musical, don’t you think?

buffalo billThe show opens up with a pack of dancing lambs and Clarice Starling played by Anne Norland on a run. Norland will have you rolling in the aisles with her impersonation, which is as much about Jodie Foster as it is her as the movie character, Clarice. The lambs are dancing away and the number ends with a Lamb Chop puppet being raised in the air by Starling with tape on its mouth. The door to puns is thrown wide open and they only get more amusing throughout the show.

Fans of the movie will be happy to hear that the infamous scene that had all tongues talking when the movie came out is included. Brian Watson as Buffalo Bill is a show highlight with that re-enacted visual, and it will be etched in your brain for longer than you will hope for. A later scene contains a re-appearance from an open robed Watson in case the audience didn’t get enough the first time. All the actors were wonderful in their respective roles so it’s hard to say that anyone stood out. Scott Hayes as Dr. Hannibal Lecter had good chemistry with Norland and the actors who played dual roles including being lambs were on point in their comedic timing.

clariceHowever, there was some fatigue in the creativity, which resulted in “humor” that leaned towards insulting. There were an excessive amount of fat jokes due to the fact that Buffalo Bill targets overweight women. In this case, a size 14 means you have a lot of junk in the trunk. There was laughter for many of the jokes until one mentioning how unfortunate it was the women were fat, given that they had pretty faces. This was delivered by the Starling character and met with hesitant laughter mixed in with moans and groans. It was refreshing to see that lazy “jokes” like this one are not as big a hit as they use to be. There are plenty of clever puns and references and this one line is neither.

buffalo bill2It’s definitely a fun night out regardless of the minor flaws. Be warned, you’re allowed drinks in the theater but, I’d recommend holding off until after, you may end up spitting up on the person in front of you. I’m still having giggle fits at the image of poor lamb chop gagged, and that was the opening number.

Shows take place on Thursdays and Fridays at 8 p.m. and Saturdays at 7 and 10 p.m. Tickets range in price from $35– $55 and are available online at www.silencethemusicalsf.com and at the Victoria Theatre box office (2961 16th St.) one-hour prior to performance time. Ticket prices are subject to change without notice.


 

Categories: Arts & Culture, Features, Theatre & Musicals | Tags: , , , , , , , , , , , , , , , , , , , , , , ,

ASSASSINS – Misfits of the American Dream

23233_show_landscape_large_01It’s an interesting time to bring Stephen Sondheim’s musical, Assassins, to the stage. A play about people who decided it’s their life’s purpose to kill a president. It took 14 years for the show to be received on Broadway, and went on to win 5 Tony Awards. Still, theatres have often shied away from producing the show with its provocative topic, scenes with gun pointing at the audience and “accidental” stage shootings (blanks, of course) that will leave some audience members rattled. It only seems natural that newly formed Bay Area Musicals! chose to take that risk to open up their second season.

The focus is on the potential motivations of nine individuals that assassinated or attempted to assassinate the President of the United States. What drive’s someone to kill a president? Is it ideology, love, fame, a desire to sell more books? Sondheim has given these characters a voice that some won’t care to hear or may see it as glorifying their pursuits. The unfortunate part, these are stories woven into the fabric of American History and its culture. It doesn’t matter if you want to acknowledge it; it happened and needs to be told.

AASSASINSSondheim’s created a catchy score to shift you in and out of each person’s disturbing story. Time periods are intermingled, allowing each of the character’s to meet and convince one another that what they’re doing is essential to the American Dream. At one point John Hinckley Jr., (Zac Schuman ) who attempted to assassinate President Ronald Reagan to prove his love to Jodi Foster, asks Lee Harvey Oswald (Sage G.C.), former U.S. Marine who assassinated President John F. Kennedy about 18 years prior to Hinckley’s attempt, for his autograph due to his deep admiration for Oswald while growing up.

The entire cast was good but Sage G.C. stood out as Lee Harvey Oswald. He played a balladeer as well but that performance was not as strong. Notable performances also came from Kelli Schultz (Lynette “Squeaky” Fromme) and Jessica Fisher (Sara Jane Moore) who played derange and neurotic. Lynette Fromme was obsessed with Charles Manson and Sara Jane Moore was angry at the state of affairs, both targeted U.S. President Gerald Ford. In the play they join forces, but in history their attempts occurred 17 days apart. They are the only women to have ever attempted to assassinate a president. One thing is for sure when watching Assassins, it’s not going to be everyone’s cup of tea, but for those who can take it in, it’s an interesting psychological journey.

AssassinsAssassins will perform February 18–March 18, 2017 at San Francisco’s Alcazar Theatre (650 Geary Street). Performances are Thursdays and Fridays at 8 p.m. and Saturdays at 2 and 8 p.m. Single tickets for regular performances range in price from $35–$60. Tickets are available now by calling 415-340-2207 or visiting www.bamsf.org.

Assassins contains strong language and mature themes. Parental discretion is highly advised.

ABOUT BAY AREA MUSICALS!
Bay Area Musicals! is a professional theater company that stimulates and inspires the San Francisco community through high-caliber musical theater ranging from familiar classics to challenging new works. Bay Area Musicals’ mission is to produce professional musical theater at accessible ticket rates and to engage the community through performance, outreach, and educational opportunities.


 

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Fifty Shades Darker – Film Review

2starsfs6The sequel heard around the world is finally coming to theaters, Fifty Shades Darker, seemingly from the title anticipates the story going deeper (no pun intended) than the last and pushing back the layers around the characters that are Anastasia Steele (Dakota Johnson) and the formidable Christian Grey (Jamie Dornan). The first one directed by Sam Taylor-Johnson, served to push the envelope a bit and introduce audiences to the characters and the world of S&M, the second one directed by James Foley, feels like a clichéd version of what audiences would expect.

fs7Corny one liners and a banal storyline, I felt like I was watching a cheesy Hallmark movie with some sex scenes sprinkled into it. So much of it felt predictable and any suspense that was built up was instantly solved in a few minutes.

The sequel is about Anastasia and Christian coming back together because he simply cannot live without her. This time around she renegotiates her terms with him and wants to have a real, “normal” relationship. The problem is, can Christian handle what she calls a “vanilla relationship”? One without the constant badgering to play the roles of dom and sub in the bedroom, a relationship dictated by a legal arrangement. Christian is used to being in control, it’s what excites him, it’s what gets him off in every area of his life, but this time around he agrees to try this type of relationship out with her because she is worth it in every sense of the word.

fs2Anastasia is trying to lead a normal life, she finally got the job of her dreams, a position at a publishing house and wants so eagerly to impress her boss Jack Hyde (Eric Johnson). He is as equally enticing and sexy as Christian, but in a different way. He’s smart, he likes books as much as Anastasia and appears to be much more laid back. Christian cannot handle these changes and immediately tries to manage her life, even trying to stop her from going on a work trip to New York City.

What envelops from here is a story so ridiculous that I wasn’t sure whether to roll my eyes or laugh. In the sequel, we find out more about Christian’s tortured past and meet the elusive Elena, who first showed him the ropes of the S&M world when he was young. I loved that Kim Basinger played the character, in a way as an homage to her original bad ass character from 9 ½ weeks, who unleashed her sexuality in the days before every movie had gratuitous sex scenes in it. What wasn’t great was the fact that she was underused in the film. I would have loved to have seen her do something interesting or mind grabbing with Christian, instead she remains as a foreground character, fourth to all the other nonsensical characters in the film.

fs4I found the sex scenes in Darker, to push the envelope a bit more, which was expected. Ben Wa balls and an adjustable leg spreader bar and cuffs (curious minds should look both those up), take the scenes up a notch. As she tells Christian at one point, “I was being romantic and then you go and distract me with your kinky f—kery.”  What’s different this time around is that Anastasia is much more willing to explore her kinky side in the bedroom. Whereas before she may have turned away or felt scared, this time she is curious and more open to play.

The movie is filled with leg grinding, lace panties, and sexy heels, and Dornan’s beautiful body. Foley gave audiences just what they wanted in that arena. As far as the storyline goes, it was simply lacking and unfocused, but I guess this movie really isn’t going for Oscar worthy screenwriting. Although, it could be nominated for a Razzie award. If you are a fan of the first one, then my guess is that curiosity will lead you to the theaters. The film could be fun to see with friends, have a good laugh, and see Dornan’s abs (it’s worth it just for that alone), but that’s it. If none of that peaks your interest, then I would suggest saving your hard-earned dollars and waiting to see this one when it comes out on video.

fs1
Starring:
Dakota Johnson, Jamie Dornan, Eric Johnson

Directed by: James Foley

Written by: Niall Leonard, based on the novel by E.L. James

MPAA rating: R

Running time: 118 minutes

Rating: 2


 

Categories: Features, Film | Tags: , , , , , ,

Bay Area Theaters Take a Stand with Immigrants

Bay Area Theater’s released the following statement in response to Trump’s unconstitutional immigration ban. We’re glad to see the community take a stand on these unwarranted attacks. If you’re wondering where to take in a show, we suggest the leaders who signed below.


We, the artistic and managing directors of Bay Area theaters, feel we must speak out against the executive order that would deny the freedom and safety that we know as Americans. This new generation of immigrants deserves the protection and opportunity that America has always provided. Our great American theaters would be far poorer without the authors, playwrights, actors, directors, technical staff, administrators, and audiences who come to us from all over the world, enriching our lives and the lives of those who experience our work.

Theater has always provided a bridge between cultures. There is no theater without empathy and compassion—that is the very nature of what we do. We call on our government to show the compassion and generosity that have done so much to make the United States a haven for the oppressed and a beacon of freedom.

We take our responsibility as global citizens extremely seriously and urge the President and his administration to rescind the executive order and reestablish an open exchange between artists and audiences from all over the world.
 

Signed,

L. Peter Callender, Artistic Director, African-American Shakespeare Company
Sherri Young, Executive Director, African-American Shakespeare Company
Peter Pastreich, Executive Director, American Conservatory Theater
Carey Perloff, Artistic Director, American Conservatory Theater
Julie Saltzman Kellner, Managing Director, Aurora Theatre Company
Tom Ross, Artistic Director, Aurora Theatre Company
Gretchen Feyer, Managing Director, Berkeley Playhouse
Susan Medak, Managing Director, Berkeley Repertory Theatre
Tony Taccone, Artistic Director, Berkeley Repertory Theatre
Mina Morita, Artistic Director, Crowded Fire Theater Company
Liz Olson, Managing and Producing Director, Cutting Ball Theatre
Paige Rogers, Artistic Director, Cutting Ball Theatre
Michelle Mulholland, Managing Director, Golden Thread Productions
Torange Yeghiazarian, Founding Artistic Director, Golden Thread Productions
Steven Anthony Jones, Artistic Director, Lorraine Hansberry Theatre
Loretta Greco, Artistic Director, Magic Theatre
Jaimie Mayer, Managing Director, Magic Theatre
Keri Kellerman, Managing Director, Marin Theatre Company
Jasson Minadakis, Artistic Director, Marin Theatre Company
Ed Decker, Founder and Artistic Director, New Conservatory Theatre
Barbara Hodgen, Executive Director, New Conservatory Theatre
Jason Hoover, Artistic Director, Ray of Light Theatre
Patrick Dooley, Artistic Director, Shotgun Players
Elizabeth Lisle, Managing Director, Shotgun Players
Darren Doutt, General Manager, Steve Silver’s Beach Blanket Babylon
Jo Schuman Silver, Producer, Steve Silver’s Beach Blanket Babylon
Brad Erickson, Executive Director, Theatre Bay Area
Rachel Fink, Managing Director, Theatre Bay Area


 

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Cary Leibowitz: Museum Show – THE CONTEMPORARY JEWISH MUSEUM

If you’re into meek, kitsch, and self-deprecating work, you’ll hit the jackpot at The Contemporary Jewish Museum’s current exhibition, Cary Leibowitz: Museum Show. Although Leibowitz’s work has been included in approximately one hundred and fifty group exhibitions and featured in nearly forty solo exhibitions, this is his first wide-ranging and solo museum exhibition. People see his expression of insecurities and social skepticism as an unveiling of an identity one usually keys away from the public eye. He became known in the early 1990’s as “Candyass”.anapines8 Leibowitz

The work seems to celebrate ineptitude caused by depression or social deprivation but it can also be seen as a critique of pretentiousness. It all depends on the viewer provoking the age-old question, “What is art?” and who defines it. Is it art because the museum says so? He certainly explores the vanity of it all in many of his pieces in not-so-subtle ways. One piece has modern art written on it and prices slashed down to 5cents.

anapines13 Leibowitz

It’s sarcastic and also reminiscent of the, “I’m rubber you’re glue, whatever you say bounces off of me and sticks to you!” days of elementary school. One of his canvasses has only two words; “Fat and Ugly” divided by a line and painted in green on a yellow canvas. He’s taking hurtful words and owning it.

anapines5 Leibowitz

One can come to several conclusions about the artist when viewing the exhibit. In viewing the work you might think he’s depressed and holed up at home sprawling, “I hate myself” on cheap china all day but then you think, he has an art show at a museum, with work my kid might be able to re-produce. Yeah, he’s not a loser, pretty funny, and some might say, genius.

anapines15 Leibowitz

The exhibition features nearly 350 original artworks and multiples from 1987 to the present. You can catch it now until June 25, 2017. Go judge for yourself and leave a note, your words might end up in his next show.

anapines21 Leibowitz

THE CONTEMPORARY JEWISH MUSEUM
736 Mission Street
San Francisco, CA 94103

Tickets range from $5 to $14 at https://www.thecjm.org

 


 

Categories: Arts, Arts & Culture, Features, Humor, Photography | Tags: , , , ,

Magical Nathaniel Magic Show!

IMG_7894 copyI didn’t know what to expect when I went to see Magical Nathaniel Magic Show! at El Cerrito High School. In his early 20’s, he’s already been performing for about 9 years. He became interested in magic at the tender age of 3. I already admired this performer without seeing the show, due to the fact that not many of us get to follow the dreams we had as teenagers, let alone those at age 3. A recent graduate from UC Berkeley with a degree in applied mathematics and a minor in theatre and already an award-winning magician, this had to be good.

IMG_7903The show included a lot of interaction with the audience especially, the younger members who literally jumped up and down to get chosen to go up on stage. Magical Nathaniel has a natural chemistry with kids that made them react to him as if he were their best friend. One of them got worried that Magical Nathaniel would get hurt because he was doing a “dangerous trick” that involved balancing himself on a piece of wood on top of two chairs, while blindfolded, and solving a Rubik’s cube. The interaction was a little distracting from the trick but he handled the heartwarming moment with acknowledgement and patience as he continued with the performance.

IMG_7899 copyThere were a lot of classic acts that any inspired kid’s parents could pick up from a magic store. The infamous rope trick that makes it go from one big one to three little ones, and the needle through a balloon. He did add an additional twist to each trick, making it his own. In addition to his natural charm with the little ones, his act is also enticing enough to leave the adult crowd in awe.

It’s a family show that can please the whole family. One adult comment overheard, “No, it can’t be” was amusing to hear. He had several “I bet I can guess which one you chose” illusions but, the most interesting to me was one involving a soda can. He took a crushed can on stage and returned it back to its normal state. He then opened it and gave a cup to an audience member to drink to confirm that it was cold. You can currently book him for kid parties, events, and shows.

Find out about upcoming shows on his website: http://www.magicalnathaniel.com

Rope Trick

Grand Finale


 

Categories: Arts & Culture, Community, Features, Shows | Tags: , , , , ,

Women’s March Oakland – Photos

Gloomy weather didn’t keep Oakland residents away from the Women’s March from Madison Park to Frank Ogawa Plaza. Here are a few moments and creative signs that I captured yesterday. 

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Notice the Billboard?Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Kathy

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines

Women's March Oakland - Photo: Ana Pines


 

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Watch 20th Century Women This Weekend and A24 Will Make a Donation to Planned Parenthood

A24 has announced that it will make a donation to Planned Parenthood in honor of each person that goes to see the Golden-Globe® nominated film 20th Century Women this weekend. 

20th-century-women

Planned Parenthood consulted on the film and Planned Parenthood California Central Coast shared information and resources about Planned Parenthood health centers in the ’70s. Planned Parenthood also plays a crucial part in the lives of two of the main characters in the film. Of the collaboration, writer/director Mike Mills says, “The people at Planned Parenthood were so helpful to me with the writing and pre-production of 20th Century Women. They connected me with people who worked in PP offices in the ’70s to make sure every aspect of my scenes was correct, from the language counselors used to the very particular decor and dress of the people in those offices, to the overarching philosophy and attitude of the women who worked there. It was very important to me that we capture this moment in women’s reproductive rights accurately and they were so generous and helpful to me.”

STARRING
Annette Bening, Elle Fanning, Greta Gerwig,
Lucas Jade Zumann, and Billy Crudup

WRITTEN AND DIRECTED BY
Mike Mills

Writer/director Mike Mills and stars Greta Gerwig and Elle Fanning reflect on those who raise us and the times that shape us in latest video ‘Modern Women’, featuring an exclusive interview with Planned Parenthood President Cecile Richards. 


 

Categories: Arts & Culture, Community, Features, Film, Fundraisers & Charities | Tags: , , , , , , ,

Join the Ghostlight Project – Eve of Presidential Inauguration

American Conservatory Theater (A.C.T.) announced today that on Thursday, January 19, 2017 at 5:30 p.m.—the eve of the presidential inauguration—it and over 100 theaters and theatrical organizations across the country will launch The Ghostlight Project, a collective, simultaneous action, together creating “light” for challenging times ahead. Inspired by the tradition of leaving a “ghost light” on in a darkened theater, artists and communities will make or renew a pledge to stand for and protect the values of inclusion, participation, and compassion for everyone—regardless of race, class, religion, country of origin, immigration status, (dis)ability, gender identity, or sexual orientation.

Ghostlight Project

The event will be held at 5:30 p.m. in front of The Geary Theater (415 Geary St.) and will include a short program of speakers followed by the ceremonial lighting and photos. This event is open to all. Members of the community should arrive between 5–5:25 p.m. and are encouraged to bring an electric light, flashlight, electric candle, or smartphone.

At the same time that evening, a related gathering of Bay Area theatermakers will take place at Berkeley Rep at 5:30 p.m. in the theater’s central courtyard, located at 2025 Addison Street. This gathering will also include a short program of speakers followed by the ceremonial lighting.

For more information on The Ghostlight Project national action, and to find a theatre near you: https://theghostlightproject.com


 

Categories: Arts, Arts & Culture, Community, Features, Theatre & Musicals | Tags: , , , , , , , ,

La La Land – Film Review

5stars

Musicals came into popularity after World War II and provided audiences with a much-needed relief from the issues that were going on in the world. They were idyllic, romantic, and in a sense magical; the Ginger Rogers’ and Fred Astaire’s of that era exuded charisma and charm, and viewers couldn’t help but fall in love with the joyous stories that unfolded on screen. Writer and director Damien Chazelle, brings his musicality as he did in Whiplash to La La Land, creating a film that is as reminiscent of the past as it is unique to the present. La La Land feels like an ode to classical movies without being cliché or a copy of anything else. The unfolding love story was beautiful and exciting to watch.

The film is about the lives of two struggling and aspiring performers, Mia (Emma Stone) works as a barista on the Warner Brothers lot and is trying to land any job in the acting biz and Sebastian or Seb (Ryan Gosling) is a jazz pianist who wants to live his dream of being a working musician. The two of them are passionate about their dreams and relentless in trying to make them come true, but the realities of trying to make it in Hollywood are tough.

L3When Mia goes on casting calls, the agents look at their phones and could care less about her feelings and when Sebastian tries to find music gigs, many of them land him in cover bands with ridiculous costumes.

In a city full of people, Mia and Sebastian happen to keep running into each other and it feels as if they were meant to meet. The two get each other and understand the passion each holds for their art. Sebastian hopes to one day open a jazz club like the ones of the past where Charlie Parker played, and Mia wants to perform in movies like the ones she adored as a child. Together, they help each other deal with the ups and downs that come with the harshness of the music and film industries.

L5As the two fall in love, their romance is intertwined with musical numbers. Mia wears a yellow dress with oxfords and glides on screen, reminiscent of a little bit of the naivete that Judy Garland possessed with that of the adorableness of Audrey Hepburn. Sebastian leads Mia in the dancing and singing, dressed in a retro suit and wing-tip shoes, and oozes charisma and charm like Gene Kelly and Fred Astaire. Not to say that Gosling killed it like those dancers used to, but he did well and stood out as a true leading man like those of a yesteryear.

Gosling and Stone did wonderful in their performances and you could not help but want to watch them. Stone truly carries the film and deserves an Oscar nod. The true winner of the film is Chazellethough, his screenplay and direction were unique and it felt like a movie I have never seen before. He was able to capture the whimsy of those classical films and create a movie that is all his own. Where Whiplash hits you in the face with fear and anger at every cymbal smash, La La Land makes you feel like you are walking on a cloud and living in a bit of a dream.

L4The music in the film was paired wonderfully with the scenes, the songs never felt boring or too sing-songy like those we are used to seeing in musicals. It doesn’t hurt that John Legend provided his vocals and acting abilities to the film as well. The music was a good blend of jazz and classical and the soundtrack is worth a listen.

I kept on thinking throughout the movie that it reminded me of Casablanca, a film that makes you feel every emotion in the book. I adored this movie and highly recommend it. You do not have to be a fan of musicals or classic films to appreciate it. The film is a timeless tribute to a bygone film era and can be enjoyed by all.

L1
Starring:  Ryan GoslingEmma StoneRosemarie DeWitt

Directed by: Damien Chazelle

Written by: Damien Chazelle

MPAA rating: PG-13

Running time: 128 minutes

Rating: 5

Categories: Arts & Culture, Features, Film | Tags: , , , ,

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